Album Info Hide Show Artist: Adele Album: 25 Released: Europe, 20 Nov 2015 Tracklist: A1 Hello 4:52 Bass, Drums, Guitar, Piano, Keyboards – Greg Kurstin Engineer – Alex Pasco, Greg Kurstin, Julian Burg, Liam Nolan Instruments [Additional Instrumentation] – Emile Haynie Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Producer – Greg Kurstin Vocals, Drums – Adele Adkins Written-By – Adele Adkins, Greg Kurstin A2 Send My Love (To Your New Lover) 3:38 Backing Vocals – Max Martin Engineer – Michael Ilbert Engineer [Engineered For Mix By] – John Hanes Mixed By – Serban Ghenea Producer – Max Martin, Shellback Programmed By, Percussion – Shellback Vocals, Backing Vocals, Guitar – Adele Adkins Written-By – Adele Adkins, Max Martin, Shellback A3 I Miss You 5:45 Drums, Bass, Piano, Organ, Guitar, Percussion, Programmed By – Paul Epworth Engineer – Matt Wiggins Engineer [Additional Engineering] – Joe Hartwell Jones, Riley McIntyre Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Producer – Paul Epworth Vocals – Adele Adkins Written-By – Adele Adkins, Paul Epworth A4 When We Were Young 4:44 Bass – Gus Seyffert Drums – Joey Waronker Engineer – Ariel Rechtshaid, Austen Jux Chandler, Chris Kaysch, David Schiffman Engineer [Additional Engineering] – Nick Rowe Engineer [Assistant Engineer] – Aaron Ahmad, Christopher Cerullo, John DeBold, Michael Harris Guitar – Benji Lysaght Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Organ [Optigan & B3] – Roger Manning Jr. Piano [Prepared Piano], Harmonium – Nico Muhly Piano, Backing Vocals – Tobias Jesso Jr. Producer – Ariel Rechtshaid Programmed By, Organ, Glockenspiel, Synthesizer, Percussion, Backing Vocals – Ariel Rechtshaid Vocals – Adele Adkins Written-By – Adele Adkins, Tobias Jesso Jr. A5 Remedy 3:58 Engineer – Mike Piersante, Rich Rich Engineer [Assisted By] – John Prestage, Martin Hollis Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Piano, Keyboards [MKII Keyboard], Bass [Moog Bass] – Ryan Tedder Producer – Ryan Tedder Vocals – Adele Adkins Written-By – Adele Adkins, Ryan Tedder B1 Water Under The Bridge 3:56 Bass, Drums, Guitar, Piano, Keyboards – Greg Kurstin Engineer – Alex Pasco, Greg Kurstin, Julian Burg, Liam Nolan Engineer [Engineered For Mix By] – John Hanes Mixed By – Serban Ghenea Producer – Greg Kurstin Vocals – Adele Adkins Written-By – Adele Adkins, Greg Kurstin B2 River Lea 3:42 Bass, Percussion – Declan Gaffney Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Piano, Electric Guitar, Organ, Programmed By [Programming] – Danger Mouse Producer – Danger Mouse Recorded By, Engineer – Declan Gaffney Vocals – Adele Adkins Written-By – Adele Adkins, Brian Burton B3 Love In The Dark 4:42 Arranged By [String Arrangement] – Oliver Kraus Conductor – Adam Klemens Contractor [Orchestra Contractor] – Petr Pycha Engineer – Cameron Craig, Jan Holzner, Samuel Dixon Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Piano, Synthesizer – Samuel Dixon Producer – Samuel Dixon Strings – FILMharmonic Orchestra Vocals – Adele Adkins Written-By – Adele Adkins, Samuel Dixon B4 Million Years Ago 3:45 Acoustic Guitar, Bass – Greg Kurstin Engineer – Alex Pasco, Greg Kurstin, Julian Burg, Liam Nolan Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Producer – Greg Kurstin Vocals – Adele Adkins Written-By – Adele Adkins, Greg Kurstin B5 All I Ask 4:26 Engineer – Charles Moniz Engineer [Assisted By] – Jacob Dennis Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Piano – Brody Brown, Greg Phillinganes Producer – The Smeezingtons Vocals – Adele Adkins Written-By – Adele Adkins, Christopher Brody Brown, Bruno Mars, Philip Lawrence B6 Sweetest Devotion 4:08 Bass – Tom Herbert Drums – Leo Taylor Engineer – Matt Wiggins Engineer [Additional Engineering] – Joe Hartwell Jones, Riley McIntyre Guitar – Dave Okomu, Pablo Tato Mixed By – Tom Elmhirst Mixed By [Assisted By] – Joe Visciano Percussion, Programmed By – Paul Epworth Piano – Nikolaj Torp Larsen Producer – Paul Epworth Vocals, Piano – Adele Adkins Written-By – Adele Adkins, Paul Epworth Related Content: Info About Buying Vinyl From Our Record Store We are a small independent record store located at 211 High St, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir) We buy and sell new and used vinyl records – if you have a collection you’d like to sell please click here . 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We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn’t arrive we will cover the cost of replacing or returning the record. If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store. You can contact our Melbourne record shop at (03) 9939 3807 or at [email protected] Happy Listening! Description Hide Show LP Vinyl Autobiography is baked into Adeles art. She called her first album 19, naming it after her age at the time of writing, and like a musical, millennial Michael Apted, each successive album represented another chapter in her lifes story. Fueled by heartbreak, her roiling 2011 record 21 ushered in her adulthood and superstardom, two acts that were instrumental in the creation of 25, the 2015 album purportedly documenting her mid-twenties. Between 21 and 25, Adele fell in love and started a family, an event that would surely be grist for a memoirists mill if Adele was as confessional a singer/songwriter as she appears, but she is not. Like 21 before it, the love that flows through 25 is either curdled or lost, love that can no longer replenish or nourish. It is certainly not the kind of love that would arise from a satisfying, stable relationship, but it is indeed the kind of love that is recognizable from 21: love that hurts, not heals. While her themes may remain the same, Adele isnt the same singer as she was in 2011, nor is 25 a carbon copy of 21. Success has given her the confidence to abandon any lingering Amy Winehouse influence, taking along with it any sense of swing or sass. It isnt so much that Adele doesnt take risks shes hip enough to enlist Haim/Charli XCXs producer to helm When We Were Young, a song co-written with hotly tipped sensitive soul Tobias Jesso, Jr., and she brings in Danger Mouse to help orchestrate the neo-gospel of River Lea. But shes so devoted to ballads, ballads determined to convey grace and strength in the face of loss that she winds up residing in a middle of the road, which makes her seem much older than the quarter century of the title. Adele doesnt help matters by dwelling on the passage of time, repeatedly returning to the idea that she aint a kid anymore. Its a sentiment that suits a singer many years past 25 yet also suggests a bit of savvy on her part: these are songs that are meant to be heard and sung for years after the albums initial release, gathering resonance with the passage of time. Fittingly, 25 also plays better over the long haul, its march of slow songs steadily revealing subtle emotional or musical distinctions. Make no mistake, all 11 songs are of a piece theyre shaded by melancholy, gaining most of their power through performance but that cohesive sound only accentuates how Adele has definitively claimed this arena of dignified heartbreak as her own. Product Reviews Hide Show Write a Review