Album Info Hide Show Artist: Amy Winehouse Album: Back To Black Released: US Tracklist: A1 Rehab Alto Saxophone – Andy Mackintosh, Chris Davies Arranged By [Band] – Gabriel Roth, Mark Ronson Arranged By [Orchestra], Conductor – Chris Elliott Baritone Saxophone – Dave Bishop, Ian Hendrickson-Smith Bass Guitar – Nick Movshon Cello – Anthony Pleeth, Joely Koos, John Heley Drums – Homer Steinweiss Guitar – Binky Griptite, Thomas Brenneck Handclaps – Mark Ronson, Vaughan Merrick Harp – Helen Tunstall Leader [Orchestra] – Perry Montague-Mason Percussion – Frank Ricotti Piano, Electric Piano [Wurlitzer], Handclaps – Victor Axelrod Tenor Saxophone – Jamie Talbot, Mike Smith , Neal Sugarman Tenor trombone – Richard Edwards trumpet – Dave Guy, Steve Sidwell Viola – Bruce White, Jon Thorne , Katie Wilkinson, Rachel Bolt Violin – Boguslaw Kostecki, Chris Tombling, Liz Edwards, Everton Nelson, Jonathan Rees, Mark Berrow, Perry Montague-Mason, Peter Hanson, Tom Piggot-Smith, Warren Zielinski A2 You Know I’m No Good Arranged By [Band] – Gabriel Roth, Mark Ronson Baritone Saxophone – Ian Hendrickson-Smith Bass Guitar – Nick Movshon Drums – Homer Steinweiss Guitar – Binky Griptite, Thomas Brenneck Piano, Electric Piano [Wurlitzer], Handclaps – Victor Axelrod Tenor Saxophone – Neal Sugarman trumpet – Dave Guy A3 Me And Mr Jones Bass trumpet, Flugelhorn – Bruce Purse Double Bass [Upright Bass], Drums, Piano – Salaam Remi Guitar, Backing Vocals – Amy Winehouse Guitar, Baritone Saxophone, Tenor Saxophone – Vincent Henry A4 Just Friends Bass – Salaam Remi Clarinet, Bass Clarinet, Guitar – Vincent Henry Drums – troy Auxilly-Wilson Guitar – Amy Winehouse Organ, Electric Piano [Rhodes] – John Adams trumpet, Bass trumpet, Flugelhorn – Bruce Purse A5 Back To Black Alto Saxophone – Andy Mackintosh, Chris Davies Arranged By [Band] – Gabriel Roth Arranged By [Orchestra], Conductor – Chris Elliott Baritone Saxophone – Dave Bishop Bass Guitar – Nick Movshon Cello – Anthony Pleeth, Joely Koos, John Heley Drums – Homer Steinweiss Guitar – Binky Griptite, Thomas Brenneck Leader [Orchestra] – Perry Montague-Mason Percussion – Frank Ricotti Piano – Victor Axelrod Tenor Saxophone – Jamie Talbot Viola – Bruce White, Jon Thorne , Katie Wilkinson, Rachel Bolt Violin – Boguslaw Kostecki, Chris Tombling, Liz Edwards, Everton Nelson, Jonathan Rees, Mark Berrow, Perry Montague-Mason, Peter Hanson, Tom Piggot-Smith, Warren Zielinski Written-By – Amy Winehouse Written-By, Arranged By [Band], Tambourine – Mark Ronson A6 Love Is A Losing Game Alto Saxophone – Andy Mackintosh, Chris Davies Arranged By [Band] – Gabriel Roth, Mark Ronson Arranged By [Orchestra], Conductor – Chris Elliott Baritone Saxophone – Dave Bishop Bass Guitar – Nick Movshon Cello – Anthony Pleeth, Joely Koos, John Heley Drums – Homer Steinweiss Guitar – Binky Griptite, Thomas Brenneck Harp – Helen Tunstall Leader [Orchestra] – Perry Montague-Mason Percussion – Frank Ricotti Piano – Victor Axelrod Tenor Saxophone – Jamie Talbot, Mike Smith Tenor trombone – Richard Edwards trumpet – Steve Sidwell Viola – Bruce White, Jon Thorne , Katie Wilkinson, Rachel Bolt Violin – Boguslaw Kostecki, Chris Tombling, Liz Edwards, Everton Nelson, Jonathan Rees, Mark Berrow, Perry Montague-Mason, Peter Hanson, Tom Piggot-Smith, Warren Zielinski B1 Tears Dry On Their Own Backing Vocals – Amy Winehouse Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Flute, Clarinet, Piano, Celesta, Guitar – Vincent Henry Bass, Piano, Guitar – Salaam Remi Drums, Tambourine – troy Auxilly-Wilson Performer [Uncredited, Sample Interpolation] – Marvin Gaye, Tammi Terrell trumpet, Bass trumpet, Flugelhorn – Bruce Purse Written-By – Amy Winehouse, Nickolas Ashford and Valerie Simpson Written-By [Sample Interpolation] – Nickolas Ashford and Valerie Simpson B2 Wake Up Alone Arranged By [Band] – Gabriel Roth Bass Guitar – Nick Movshon Drums – Homer Steinweiss Guitar – Binky Griptite, Thomas Brenneck Piano – Victor Axelrod Written-By – Paul O’Duffy B3 Some Unholy War Bass, Drums, Guitar – Salaam Remi Guitar – Vincent Henry Guitar, Backing Vocals – Amy Winehouse Organ – John Adams B4 He Can Only Hold Her Backing Vocals – Ade, Zalon Baritone Saxophone – Cochemea Gastelum Bass Guitar – Nick Movshon Drums – Homer Steinweiss Finger Snaps – Mark Ronson Guitar – Binky Griptite, Thomas Brenneck Percussion – Sam Koppelman Performer [Uncredited, Sample interpolation] – The Icemen Piano – Victor Axelrod Producer [Original Demo] – PNut Tenor Saxophone – Neal Sugarman trumpet – Dave Guy Written-By – Amy Winehouse, Richard Poindexter, Robert Poindexter Written-By [Sample Interpolation] – Robert Poindexter Written-By [Sample interpolation] – Richard Poindexter B5 You Know I’m no Good Arranged By [All band arrangements] – Gabriel Roth, Mark Ronson Baritone Saxophone – Ian Hendrickson-Smith Bass Guitar – Nick Movshon Drums – Homer Steinweiss Featuring – Ghostface Killah Guitar – Binky Griptite, Thomas Brenneck Piano, Electric Piano [Wurlitzer], Handclaps [Claps] – Victor Axelrod Producer – Mark Ronson Rap [Rap Vocals] – Ghostface Killah Tenor Saxophone – Neal Sugarman trumpet – Dave Guy Written-By – Amy Winehouse Related Content: Info About Buying Vinyl From Our Record Store We are a small independent record store located at 211 High St, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir) We buy and sell new and used vinyl records – if you have a collection you’d like to sell please click here . 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We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn’t arrive we will cover the cost of replacing or returning the record. If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store. You can contact our Melbourne record shop at (03) 9939 3807 or at [email protected] Happy Listening! Description Hide Show It doesn’t take much listening to Amy Winehouse’s 1960s pop period piece to realize that this is a tribute with an edge–nice girls back then didn’t sing about boozing and rehab. Since her 2003 debut album, FRANK, Winehouse has been a frequent presence on the gossip pages of the U.K. tabloids, and her songwriting here candidly reflects her experiences with drinking, sex, and drugs. BACK TO BLACK’s production is an artful blend of sophisticated ’60s R&B and 21st-century stylistic poaching, with “Tears Dry on Their Own” incorporating elements of Marvin Gaye and Tammi Terrell’s “Ain’t No Mountain High Enough,” and Winehouse sounding like Billie Holiday fronting a reggae band on the old-fashioned cheating song “Just Friends.” Densely packed with musical history and often conjuring a dark, Portishead-esque atmosphere, BACK TO BLACK is a sumptuous-sounding collection freighted with blunt confessionals of a lush life. > Amy Winehouse’s “Back to Black,” released on October 27, 2006, is a timeless masterpiece that continues to resonate with listeners around the world. This album, which was Winehouse’s second and final studio release, is often credited with revitalizing interest in soul music and influencing a new generation of artists. “Back to Black” was met with critical acclaim upon its release, and it’s easy to see why. The album’s production, primarily handled by Mark Ronson and Salaam Remi, perfectly complements Winehouse’s raw and emotive vocal delivery. The sound is a rich tapestry of 1960s soul, jazz, and R&B, with a modern twist that makes it feel both nostalgic and fresh. One of the standout tracks, “Rehab,” became an anthem of sorts, with its catchy chorus and candid lyrics about Winehouse’s refusal to go to rehabilitation. The song’s success was a testament to Winehouse’s ability to blend personal storytelling with universal themes, a skill that permeates the entire album. “Rehab” not only topped charts worldwide but also won three Grammy Awards, including Record of the Year and Song of the Year. Another highlight is the title track, “Back to Black,” which delves into the depths of heartbreak and loss. The song’s haunting melody and Winehouse’s poignant delivery capture the essence of the album’s themes of love, betrayal, and despair. The accompanying music video, with its black-and-white aesthetic, further emphasizes the song’s somber tone. The album’s critical reception was overwhelmingly positive. Publications like Rolling Stone and The Guardian praised Winehouse’s vocal prowess and the album’s cohesive production. Rolling Stone even included “Back to Black” in its list of the 500 Greatest Albums of All Time, a testament to its enduring impact. “Back to Black” was not only a commercial success, selling over 16 million copies worldwide, but it also garnered numerous accolades. At the 50th Annual Grammy Awards, the album won five awards, including Best Pop Vocal Album, making Winehouse the first British woman to win five Grammys in one night. Beyond its commercial and critical success, “Back to Black” holds significant cultural importance. It played a pivotal role in the late 2000s soul revival, influencing artists like Adele, Duffy, and Florence Welch. Winehouse’s candid exploration of her personal struggles with addiction and relationships resonated with many, making her a relatable and iconic figure. The album’s production is also worth noting. Mark Ronson’s use of vintage recording techniques and live instrumentation gives the album a warm, authentic sound that sets it apart from the heavily produced pop music of the time. This approach not only highlighted Winehouse’s vocal talent but also paid homage to the classic soul records that inspired her. In interviews, Winehouse often spoke about her love for artists like The Shangri-Las and The Ronettes, and this influence is evident throughout “Back to Black.” The album’s retro sound, combined with Winehouse’s modern lyrical sensibility, creates a unique listening experience that feels both timeless and contemporary. In conclusion, “Back to Black” is more than just an album; it’s a cultural milestone that showcases Amy Winehouse’s extraordinary talent and artistic vision. Its blend of classic and modern elements, coupled with Winehouse’s honest and powerful lyrics, ensures that it will remain a beloved classic for years to come. Whether you’re a longtime fan or a newcomer to her music, “Back to Black” is an essential listen that captures the essence of Amy Winehouse’s legacy. Product Reviews Hide Show Write a Review