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Axiom Funk - Funkcronomicon (3LP)

Axiom Funk - Funkcronomicon (3LP)

$78.20 $39.10
Album Info Hide Show Artist: Axiom Funk Album: Funkcronomicon Released: Netherlands, 2024 Tracklist: A1 Order…
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Album Info Hide Show Artist: Axiom Funk Album: Funkcronomicon Released: Netherlands, 2024 Tracklist: A1 Order Within The Universe 3:17 Bass, Beats, Effects [Sound Efx] – Bill Laswell Organ [Hammond B-3] – Bernie Worrell Turntables – DXT Written-By – B. Worrell, B. Laswell, DXT A2 Under The Influence (Jes Grew) 5:45 Arranged By [Horns], Conductor [Horns] – Henry Threadgill Baritone Horn, Euphonium – Joe Daly Bass – Robbie Shakespeare Bassoon – Janet Grice Congas – Daniel Ponce Cowbell, Percussion – Aiyb Dieng Drum Programming – Sly Dunbar Drums – Anton Fier Piano – Herbie Hancock Tenor Saxophone, Flute – J.D. Parron trumpet, Flugelhorn – Ted Daniel Tuba – Edwin Rodriguez Vocals – Michael “Clip” Payne, Deborah Barsha, Gary “Mudbone” Cooper, George Clinton, Zhana Saunders Vocals, Guitar – Bootsy Collins Written-By – B. Laswell, B. Collins, G. Clinton, R. Shakespeare, S. Dunbar A3 If 6 Was 9 6:00 Bass [Space Bass], Lead Vocals – Bootsy Collins Guitar – Blackbyrd McKnight, Nicky Skopelitis Guitar [Backwards Guitar] – Robert Musso Guitar [Intro] – Buckethead Violin – Lili Haydn Written-By – Jimi Hendrix B1 Orbitron Attack 12:29 Bass [Space Bass] – Bootsy Collins Drums – Jerome “Bigfoot” Brailey Guitar – Eddie Hazel Organ [Hammond B-3] – Bernie Worrell Written-By – G. Cook B2 Cosmic Slop 5:15 Arranged By [Material Strings], Conductor [Material Strings] – B. Worrell Bass – Robbie Shakespeare Congas – Aiyb Dieng Drums – Sly Dunbar Guitar – Bootsy Collins, Michael Hampton Organ [Hammond B-3] – Bernie Worrell Synthesizer [Fairlight] – Nicky Skopelitis Vocals – Gary “Mudbone” Cooper Vocals, Guitar – Garry Shider Written-By – Bernie Worrell, G. Clinton C1 Free-Bass (Godzillatron Cush) 5:43 Bass [Free-bass] – Zillatron Guitar [Stun Guitar] – Menace (The Dawg Of The C) Written-By – B. Laswell, B. Collins, D. Weeden C2 Tell The World 3:53 Performer [Other Music] – Bootsy Collins Vocals – Bobby Byrd, Godmoma, Maceo Parker Voice, Keyboards – Sly Stone Written-By – B. Collins, M. Parker, S. Stewart C3 Pray My Soul 5:08 Guitar – Eddie Hazel Organ [Hammond B-3] – Bernie Worrell Written-By – G. Cook D1 Hideous Mutant Freekz 7:25 Bass [Space Bass], Guitar, Vocals – Bootsy Collins Guitar [Solo] – Buckethead Loops [Drum] – Anton Fier Synthesizer [Arp] – Bernie Worrell Vocals – Garry Shider, Gary “Mudbone” Cooper, George Clinton Written-By – B. Worrell, B. Laswell, B. Collins, G. Clinton D2 Sax Machine 7:47 Alto Saxophone, Vocals – Maceo Parker Bass [Low Bass] – Bill Laswell Percussion – T-Bone Synthesizer [String] – Bernie Worrell trombone – Fred Wesley Vocals – Bobby Byrd Vocals, Guitar, Bass – Bootsy Collins Written-By – B. Byrd, B. Collins, M. Parker E1 Animal Behavior 7:09 Bass [Space Bass], Lead Vocals – Bootsy Collins Drums – Brain Guitar, Written-By – Buckethead Organ [Hammond B-3] – Bernie Worrell Sampler [Samples] – Bill Laswell Turntables – Af Next Man Flip Written-By – B. Laswell, B. Collins E2 trumpets And Violins, Violins 3:38 Guitar – Blackbyrd McKnight, Nicky Skopelitis Guitar [Intro] – Buckethead Guitar, Effects [Processing] – Robert Musso Violin – Lili Haydn Voice – Abiodun Oyewole Written-By – Jimi Hendrix E3 Telling Time 4:57 Bass – Bill Laswell Congas – Guilherme Franco Drums – Joseph “Zigaboo” Modeliste Guitar [6 And 12-string] – Nicky Skopelitis Organ [Hammond B-3] – Amina Claudine Myers Written-By – N. Skopelitis F1 Jungle Free-Bass 5:38 Bass [Dub Bass] – Bill Laswell Bass [Jungle Bass] – Bootsy Collins Vocals [Vocal Sounds] – Torture Written-By – B. Laswell, B. Collins F2 Blackout 3:44 Guitar, Bass, Drums – Blackbyrd McKnight Written-By – D. McKnight F3 Sacred To The Pain 4:54 Guitar – Eddie Hazel Organ [Hammond B-3] – Bernie Worrell Voice – Umar Bin Hassan Written-By – G. Cook, U.B. Hassan Related Content: 0 Info About Buying Vinyl From Our Record Store We are a small independent record store located at 211 High St, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir) We buy and sell new and used vinyl records – if you have a collection you’d like to sell please click here . We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post. Free Shipping for orders $150 and over. You can also pick up your order in store, just select Local Pickup at the checkout. We also ship internationally – prices vary depending on weight and location. We ship vinyls in thick, rigid carboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records. 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You can contact our Melbourne record shop at (03) 9939 3807 or at [email protected] Happy Listening! Description Hide Show “Funkcronomicon” by Axiom Funk is a fascinating and eclectic album that serves as a testament to the enduring legacy of funk music. Released in 1995, this album is a collaborative project spearheaded by producer Bill Laswell, who is known for his ability to bring together diverse musical talents and genres. “Funkcronomicon” is no exception, as it features an impressive lineup of musicians, including members of Parliament-Funkadelic, Bootsy Collins, Bernie Worrell, and Sly Stone, among others. The album is often celebrated for its ability to capture the essence of funk while also pushing the boundaries of the genre. It is a tribute to the P-Funk sound, with many tracks featuring the signature grooves, bass lines, and psychedelic elements that defined the music of George Clinton and his collaborators. The album’s title, “Funkcronomicon,” is a playful nod to H.P. Lovecraft’s fictional grimoire, the Necronomicon, suggesting a mystical and otherworldly exploration of funk. One of the standout tracks on the album is “If 6 Was 9,” a cover of the Jimi Hendrix classic. This version features the unmistakable vocals of Bootsy Collins and the guitar work of Eddie Hazel, a legendary figure in the world of funk and rock. The track is a perfect example of how “Funkcronomicon” blends rock and funk elements to create something both familiar and innovative. Another highlight is “Order Within the Universe,” which features the ethereal vocals of Sly Stone. This track is a reminder of Stone’s influence on the development of funk and his ability to infuse his music with a sense of spirituality and social consciousness. The song’s layered instrumentation and complex rhythms showcase the collaborative spirit of the album, with each musician contributing to a rich tapestry of sound. “Funkcronomicon” received positive reviews from critics, who praised its ambitious scope and the way it brought together some of the most influential figures in funk music. The album is often seen as a celebration of the genre’s history and a demonstration of its continued relevance. While it may not have achieved mainstream commercial success, it has garnered a cult following among fans of funk and experimental music. The cultural significance of “Funkcronomicon” lies in its ability to bridge the gap between the classic funk of the 1970s and the more experimental sounds of the 1990s. By bringing together musicians from different eras and backgrounds, the album highlights the timeless nature of funk and its capacity for innovation. It serves as a reminder of the genre’s roots in African American musical traditions and its impact on popular music worldwide. In addition to its musical achievements, “Funkcronomicon” is notable for its production quality. Bill Laswell’s expertise in blending different sounds and styles is evident throughout the album, as he manages to create a cohesive and immersive listening experience. The album’s production is both polished and raw, capturing the energy and spontaneity of live performances while also incorporating studio effects and techniques. Overall, “Funkcronomicon” is a remarkable album that pays homage to the pioneers of funk while also charting new territory. It is a must-listen for anyone interested in the evolution of funk music and its influence on other genres. The album’s ability to bring together legendary musicians and create something fresh and exciting is a testament to the enduring power of collaboration and creativity in music. 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