Album Info Hide Show Artist: Frankie Cosmos Album: Different Talking Released: 27 Jun 2025 Tracklist: A1 Pressed Flower A2 One Of each A3 Against The Grain A4 Bitch Heart A5 Porcelain A6 One! Grey! Hair! A7 Vanity A8 Not Long B1 Margareta B2 Your Take On B3 High Five Handshake B4 You Become B5 Joyride B6 Tomorrow B7 Wonderland B8 Live Back B9 Pothole Info About Buying Vinyl From Our Record Store We are a small independent record store located at 211 High St, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir) We buy and sell new and used vinyl records – if you have a collection you’d like to sell please click here . We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post. Free Shipping for orders $150 and over. You can also pick up your order in store, just select Local Pickup at the checkout. We also ship internationally – prices vary depending on weight and location. 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If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store. You can contact our Melbourne record shop at (03) 9939 3807 or at [email protected] Happy Listening! Description Hide Show LP – Limited Sub Pop ‘Loser Edition’ Bio White Vinyl. Different Talking, the sixth and, so far, best album by NYC indie-rock four-piece Frankie Cosmos, seems to exist across time and space, as we all kind of do. Its a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current. Frankie Cosmos lead singer, guitarist, and songwriter Greta Kline has long been heralded as one of contemporary indie musics most deft and most necessary writers, but on Different Talking, her lyrics soften out slightly, the wry cynicism that defined recent records now giving way to an acknowledgment of the awesome, and necessary, fallibility of the human brain and heart. To classify Different Talking as a return to form, or at least a return to the lush directness of earlier Frankie Cosmos records, would be rude but also wholly incorrect: as Different Talking makes clear, you can never return to the comfort and bravery of your early twenties, but that person always kind of lives inside you, no matter how much you change. Different Talking is about finding that person, honoring them, and learning from them. A lot of the album is about being grown up and figuring out how to know yourself like, What is moving on? says Kline. How do we move on when were addicted to a cycle of haunting our own past? Writing songs is just the way through that. Kline has been a fixture of the American indie underground since her late teens when her prolific Bandcamp releases and 2014 indie-label debut Zentropy led her to be dubbed the poet laureate of New York City DIY. A tag like that is a lot for young shoulders to take on, but its hard to deny the singular influence she has had on contemporary pop music. If the idea of a young woman picking up a synth in her bedroom, putting a couple of songs on the internet, and quickly becoming a superstar is now de rigeur, its because Kline and her peers normalized and exalted (female) DIY genius long before they were pinned to moodboards in major-label marketing offices. A lot has changed since then: after going through a handful of different permutations over the past decade, Frankie Cosmos is now a four-piece featuring Kline, Alex Bailey, Katie Von Schleicher, and Hugo Stanley. Kline is the only constant, but Stanley, Bailey, and Von Schleicher are crucial collaborators, and to use the names Greta Kline and Frankie Cosmos interchangeably would be incorrect. Kline remains the primary songwriter, and the music on Different Talking is arranged by the band as a whole, but this is the first album to be self-tracked and self-produced by the band. Not coincidentally, it feels like a purer, more distilled take. It does feel like the best version of what Ive wanted to make since I was a teenager, says Kline. Although this was recorded in a living room, its as high fidelity as anything weve made in the studio. Product Reviews Hide Show Write a Review